Precarious (“Tore apart” remix)
Federica Faith Sciamanna on vocals
Gianluca Catalani on drums and electronic drums
Drums recording by Luciano Chessa at "Moon Voice Recording Studio", Rome
Remixed by Fabrizio Giannese
Mixed and mastered by Andrea Corvo at Synthesis Studio
Going new places “Digression 1”
Remixed by RG Narchost, Andrea Corvo and Aborym
Mixed and mastered by Andrea Corvo at Synthesis Studio
Il Re del Bosco (tribute to Guido Elmi)
Remixed by Fabrizio Giannese
Gianluca Catalani on drums and electronic drums
Drums recording by Luciano Chessa at "Moon Voice Recording Studio", Rome
Mixed and mastered by Andrea Corvo at Synthesis Studio
Unpleasantness “Unconsciousness remix”
Remixed by Giuseppe Nicotera
Mixed and mastered by Andrea Corvo at Synthesis Studio
credits
released October 1, 2018
Something for Nobody Vol.2. Out soon on Dead Seed Productions.
Featuring Federica Faith on Precarious “Tore apart” remix, Going new places “Digression 1” (remixed by Aborym), Il Re del Bosco (tribute to Guido Elmi) alternative version by Aborym and Unpleasantness “Unconsciousness remix” (by Giuseppe Nicotera).
A side featuring Something for Nobody pt.2 (Postmidnight) original motion picture, originally written for “The 7th Night of Thelema: A Virtual Ritual”, produced by chinese Wide/Polyhedron VR Studio and directed by Gianluigi Perrone. It is shot, as a long sequence, in Dogma VR, a Manifesto of rules (by the director) serving as method to shoot immersive exps able to give the impression to the viewer to actually living in a different situation, not anymore artificial. A restyled version of the soundtrack scored by Giannese and Angiulli has been used for “Biollante”, directed by Gianluigi Perrone, an erotic horror drama born and developed as a tribute to the japanese cinema of the '70. An extended version of Something for Nobody pt.2 (Postmidnight) has been re-worked and re-mastered for the french tribal bellydance teacher and performer Inko, also leader of the Lunatic Moires, director, choreographer and designer. This version has been customized for “The Feathered Night”, a shadowy tribal bellydance show created by Inko inspired by modern hysteria and urban decadence.
Something for Nobody pt.2 (Postmidnight) was originally written for “The 7th Night of Thelema: A Virtual Ritual”, produced by chinese Wide/Polyhedron VR Studio and directed by Gianluigi Perrone. Polyhedron VR Studio is a production company specialized in cinematic immersive experiences through the way of Dogma VR, serving from development to post-production in the realistic creation of artificial universes. “The 7th Night of Thelema: A Virtual Ritual” choreography recreates the story of a witches corps de ballets that haunts the body of a woman for kidnapping her souls, filtering it, and bringing it back with a new awareness. The soundtrack, written by Aborym’s Fabrizio Giannese and Stefano Angiulli in 2017, post production, mixing and mastering by Andrea Corvo at Synthesis Recording Studio, Ciampino, Rome.
“The 7th Night of Thelema: A Virtual Ritual” is shot, as a long sequence, in Dogma VR. Dogma VR is a Manifesto of rules (by the director) serving as method to shoot immersive exps able to give the impression to the viewer to actually living in a different situation, not anymore artificial. In the case of “The 7th Night of Thelema: A Virtual Ritual” the choreography recreates the story of a "witches corps de ballets" that haunts the body of a woman for kidnapping her souls, "washing it", and bringing it back with a new awareness. The experimental narrative lets the dance itself to tell the story, making the VR exp as a sort of twisted musical, where one of the numbers, the "agony", is a possession inspired by the extreme one performed by Isabelle Adjani in Possession by Andrej Zulawski. In a production design tributing the "black lodge" in the Twin Peaks series, the viewer will feel in the situation of Tom Cruise in Eyes Wide Shut, when wearing the ritual mask means wearing the headset. Lighting makes a very subliminal but narrative effect, as they follow the progress of the dance until the final part, "the ecstasy", when UV black light makes the bodies of the witches glow, with a special body painting. On the same way that Mario Bava made Barbara Steele suddenly age in Black Sunday.
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